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OUR PARK was meant to be a nice quiet film about the filmmaker's local park, an essay on the notion of the wild and the tame in the inner city suburb of Leichhardt - a portrait of her neighbours, the dog club, Tiny the horse, the teenagers who created the labyrinth in the overgrown weedy patch. And nice and quiet it was - until the neighbourhood became embroiled in a fight between two of the filmmaker's neighbours, Kerry and Kostas, over the use of a community shed. Suddenly the film took an unexpected turn and became a film about the politics of a neighbourhood and the difficulties of grass roots democracy - how people interact, how they solve disputes - or how they don't. It's also about how a community relates to their own little patch of nature. It happens to be a park in Sydney, Australia, but it could be any park, any people or almost any place.